“Nehmen Sie sich's nicht so zu Herzen”, sagte Kathleen, “Sie haben ihn und er hat immer noch zwei Arme, um Sie zu umarmen.”, “I do indeed count my blessings very often when I think of the luck I have had in a short career. Mitten im Krieg holt Malcolm Sargent sie nach London, vermittelt sie an die bekannte Agentur Ibbs and Tillet, und es folgt Mendelssohns Elias mit Roy Henderson, der nun mit ihr an Schubert-, Schumann- und Brahms-Liedern, Technik und Stimmumfang weiterarbeitet; ihre bislang eher kleine Stimme gewinnt an Farbigkeit und Ausdrucksfähigkeit. [79] Despite continuing health problems, she sang in the St Matthew Passion at the Royal Albert Hall on 30 March, Messiah at the Free Trade Hall on 13 April, and Das Lied von der Erde with Barbirolli and the Hallé on 23 and 24 April. [38] Her time as a Columbia recording artist was brief and unhappy; she had poor relations with her producer, Walter Legge, and after a few months she transferred to Decca. In New York she sang two performances of Das Lied von der Erde, with Bruno Walter and the New York Philharmonic. B. Deutsch), wie viele Suchergebnisse pro Seite angezeigt werden sollen (z. Comme elle s'affaiblit, elle ne voit que sa sœur et quelques amis intimes, et excepté de courtes périodes de trêve, son déclin général se poursuit. The Ferrier family originally came from Pembrokeshire in South West Wales. She worked as a telephone operator until 1940, when she won a local singing competition. Aufl. Il a mis fin à la pièce et a été sa dernière prestation publique. Among her many memorials, the Kathleen Ferrier Cancer Research Fund was launched in May 1954. À Leeds, en novembre 1944, elle chante pour la première fois le rôle de l'ange dans l'oratorio The Dream of Gerontius d'Elgar à Leeds, l'un de ses rôles les plus connus. 4 - Kathleen Ferrier, Decca, Ferrier, Vol. In that year she started occasional singing lessons, and in December sang a small mezzo-soprano role in a church performance of Mendelssohn's oratorio Elijah. https://www.fembio.org/biographie.php/frau/biographie/kathleen-ferrier Son premier disque, fait en septembre 1944, est sorti par la maison Columbia Records ; Kathleen y interprète deux chansons de Maurice Greene en se faisant encore accompagner par Moore. After winning the gold cup at the 1938 Workington Festival, Ferrier sang Ma Curly-Headed Babby in a concert at Workington Opera House. Name, der beim Posten eines Kommentars angegeben wird. Certains membres des milieux de la musique savaient la vérité ou la soupçonnaient, mais on avait conforté la croyance que son absence des scènes de concert était temporaire. The Chausson brings to mind a moment I have described elsewhere how, when lying in her cot not long before the end, she told me, still smiling, of the way she used to try to while away the long hours by trying to remember what she always called “me words.” At that moment, she sang me the opening phrase; the body ravaged, the voice divinely shielded. Parmi les pièces, il y a une interprétation du lamento When I Am laid in earth de Purcell, que Kathleen a souvent chanté ; la partie vocale est jouée à cette occasion par un cor anglais solo. Le Fonds Kathleen Ferrier pour la recherche sur le cancer existe encore en 2012 ; en 1987, il a permis de créer la chaire Kathleen Ferrier d'oncologie clinique au University College Hospital. She became a regular performer at leading London and provincial venues, and made numerous BBC radio broadcasts. Her contralto voice a rarity in itself was characterized by a firm, warm tone that found its expressive niche in the great works of oratorio and art song, as well as in her two operatic roles (only two! On diagnostique un cancer du sein à la chanteuse en mars 1951. Cecil McGivern, producteur d'un spectacle de variétés radiophonique du Nord de la BBC, fait partie de l'auditoire et est suffisamment impressionné pour l'engager pour l'édition suivante de son émission, qui va être diffusée de Newcastle le 23 février 1939. She died at University College Hospital on 8 October 1953, aged 41; the date for which, while still hopeful of recovery, she had undertaken to sing Frederick Delius's A Mass of Life at the 1953 Leeds Festival. Nach 1945 tritt sie in Brittens für sie komponiertem Isaak and Abraham und Rape of Lucretia und seit 1947 als Glucks Orfeo auf. 14, Temps calme : musique douce pour enfants et bébés, musicMe Pro : musique numérique pour bibliothèques et médiathèques, Divers chants folkloriques, parmi lesquels. Il s'agit du premier voyage de la chanteuse à l'étranger. Kathleen Ferrier met Albert Wilson in 1933, probably through dancing, which they both loved. Große Sängerinnen und Interpretinnen auf den Bühnen der Welt. Now, one hundred years after her birth, new generations are captivated by “our Kath” and her life-affirming spirit. I sometimes wonder, was I the last to hear that wondrous sound. [126] These records sold in large numbers rivalling those of other stars of the time, such as Frank Sinatra and Vera Lynn. Elle fit de nombreux enregistrements dans sa brève carrière, mais certaines de ses prestations n'ont pas été enregistrées et certains enregistrements ont été détruits, tels que Le Rêve de Gerontius d'Elgar, et Le Messie. Kathleen Ferrier studied the piano from age nine and had established a reputation as an excellent amateur accompanist before she won a major singing competition when she was 25 (1937); began to take regular voice lessons; within five years, had established her singing career in London and begun to win international acclaim (1937-42); from oratorio and folk songs, progressed to the songs of Schubert and Mahler and to the operas of Gluck and Britten. Despite her weakness and the taxing demands of the recording studio, she persevered and brilliantly executed all that was required of her, never once showing signs of tiredness or impatience. Elle se produit régulièrement à de grandes manifestations à Londres et en province et participe à de nombreuses émissions radio de la BBC. La même année, elle commence à prendre des leçons de chant à l'occasion et chante en décembre à l'église dans un petit rôle de mezzo-soprano de l'oratorio Elias de Mendelssohn. Payot. Winifred Ferrier says of this letter: "Kathleen dictated her reply and signed it herself". Le 1er janvier 1948, Kathleen part faire une tournée de quatre semaines en Amérique du Nord ; c'est le premier des trois voyages transatlantiques qu'elle va faire en trois ans. Hale. [23] In early 1941 she successfully auditioned as a singer with the Council for the Encouragement of the Arts (CEMA), which provided concerts and other entertainments to military camps, factories and other workplaces. La branche familiale du Lancashire remonte au , où le soldat Thomas Ferrier, du régiment du Pembrokeshire, s'est établi dans la région après avoir été posté près de Blackburn dans une période de crise industrielle. Le grand public ignore toujours la nature de l'incapacité de Kathleen ; The Guardian annonce que « Ferrier souffre d'une tension arthritique qui exige un nouveau traitement sur-le-champ. The Kathleen Ferrier Scholarship Fund, administered by the Royal Philharmonic Society, has since 1956 made annual awards to aspiring young professional singers. À son retour au pays, Kathleen maintient un rythme trépidant : les concerts se succèdent rapidement à Amsterdam, à Londres et à Édimbourg et sont suivis par une tournée en Autriche, en Suisse et en Italie. She then toured with the work throughout England and appeared on a historic recording of major extracts from the work conducted by the composer. These first test recording were not issued until December 1978. Despite considerable suffering, Ferrier completed the recording sessions between 15 and 20 May. C'est sa dernière apparition en public ; on finit par annuler les deux dernières représentations après les avoir reportées à avril. Für ihn sang sie als Letztem. [87] However, she accepted his comments with good grace, remarking that "... it's hard to please everybody—for years I've been criticised for being a colourless, monotonous singer". Ihn singt sie, unter Schmerzen und gezeichnet vom Krebs bei ihrem letzten Auftritt im Februar 1953. [97], Ferrier spent two months in University College Hospital. (Amazon-Suche | Eurobuch-Suche | WorldCat-Suche), Lindsay, Robert; Phillipps, Susanne (© 2004): Kathleen Ferrier. However, her application to the BBC’s head of music in Manchester for an audition was turned down. The Gluck opera from which Ferrier’s “hit” was taken, Orfeo ed Euridice, was presented to great acclaim, with Ferrier as Orfeo, at Glyndebourne during the 1947 season. Wird vom externen Amazon Service für Werbeanzeigen gesetzt. From an early age, Kathleen showed promise as a pianist and had lessons with Frances Walker, a noted North of England piano teacher who had been a pupil of Tobias Matthay. [63] Britten had written this work specifically for her. This was planned for the 1947 Edinburgh International Festival. À Vienne, la soprano Elisabeth Schwarzkopf participe avec Kathleen à l'interprétation enregistrée de la Messe en si mineur de Bach que l'Orchestre symphonique de Vienne donne sous la direction d'Herbert von Karajan. Vu la retraite prochaine de son père et la baisse de revenu familial qui va en résulter, Kathleen ne peut conserver l'espoir de fréquenter une école de musique. DVD und Bonus-CD mit Kathleen Ferriers bekanntesten Aufnahmen, 77 min. [71] She returned to London on 19 February, and was immediately busy rehearsing with Barbirolli and the Hallé a work that was new to her: Ernest Chausson's Poème de l'amour et de la mer. Stroud. https://policies.google.com/technologies/types. Despite her initial misgivings, by early July Ferrier was writing to her agent that she was “enjoying the rehearsals tremendously and I should think it’s the best part one could possibly have”. As a child at home in Blackburn, Lancashire she was keen to learn the piano and proved to be exceptionally talented. Speichert die Cookie-Einstellungen, die nichtangemeldete Besucher festlegen. Tout au long de l'été, ses concerts sont entremêlés de visites à l'hôpital ; elle se porte toutefois assez bien pour chanter en septembre au Festival d'Édimbourg, où elle donne deux récitals avec Walter et chante le Poème de Chausson avec Barbirolli et le Hallé Orchestra. In between periods of hospitalisation and convalescence she continued to perform and record; her final public appearance was as Orfeo, at the Royal Opera House in February 1953, eight months before her death. ISBN 0-903413-71-X. Her time as a Columbia recording artist was brief and unhappy; she had poor relations with her producer, Walter Legge, and after a few months she transferred to Decca. Pour faire connaître ce fonds, un concert spécial est donné au Royal Festival Hall le 7 mai 1954 ; Barbirolli et Walter se partagent la direction de l'orchestre gratuitement. It has been caused by the physical stress involved in rehearsal and performance of her role in Orpheus". Although untrained musically, William was an enthusiastic member of the local operatic society and of several choirs, and his wife Alice (née Murray), whom he married in 1900, was a competent singer with a strong contralto voice. Having been persuaded to audition Ferrier, the distinguished conductor was instantly won over. Only a small part of her St John Passion was captured on disc. Cecil McGivern, a producer of a BBC Northern radio variety show, was in the audience and was sufficiently impressed to book her for the next edition of his programme, which was broadcast from Newcastle on 23 February 1939.
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