Add image While the electric organ had been used in jazz by Fats Waller, Count Basie, Wild Bill Davis and others, Smith's virtuoso improvisation technique on the Hammond helped to popularize the electric organ as a jazz and blues instrument. In 2005, Smith was awarded the NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that America bestows upon jazz musicians. He began teaching himself to play the piano. He was a prolific recording artist and, as a leader, dubbed The Incredible Jimmy Smith, he recorded around forty sessions for Blue Note in just eight years beginning in 1956. Jimmy Smith wasn't the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and style made him a top instrumentalist in the 1950s and '60s, while a number of rock and R&B keyboardists would learn valuable lessons from Smith's example. This tone has been emulated by many jazz organists since Smith. His Blue Note sessions from 1956 to 1963 were extremely influential and many, like 1960’s Back at the Chicken Shack and 1958 ‘s The Sermon, are classics. What a feeling ! Please try again. By 1955 -- which coincidentally was the year Hammond introduced its most popular model, the B-3 -- he had an organ trio with a new sound that would thereafter become the model for groups in what became known as "organ rooms," the urban bars up and down the East Coast specializing in precisely the kind of blues-oriented, swinging, funky music that Mr. Smith epitomized. The 1972 album Root Down, considered a seminal influence on later generations of funk and hip-hop musicians, was recorded live at the club, albeit with a different group of backing musicians. Smith is among the most playful of jazz artists and two tunes (I COVER THE WATERFRONT and MOSTLY MONKISH) feature this side of Jimmy wonderfully. He switched to organ permanently in 1954 after hearing Wild Bill Davis. 1: Blue Note / EMI / Toshiba 1958 : A New Sound, A New Star: Jimmy Smith at the Organ, Vol. Leave feedback. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. Before Jimmy Smith, the electric organ had been nearly a novelty in jazz; it was he who made it an important instrument in the genre and influenced nearly every subsequent notable organist in jazz and rock, including Jimmy McGriff, Jack McDuff, Larry Young, Shirley Scott, Al Kooper and Joey DeFrancesco. Smith was influenced by both gospel and blues.He first achieved prominence in the 1950s where his recordings became popular on jukeboxes before there were commonly used terms to describe his unique musical flavor. Rudy Van Gelder remastered edition. Jimmy Smith wasn't the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and style made him a top instrumentalist in the 1950s and '60s, while a number of rock and R&B keyboardists would learn valuable lessons from Smith's example. Smith influenced a constellation of jazz organists, including Jimmy McGriff, Brother Jack McDuff, Don Patterson, Richard "Groove" Holmes, Joey DeFrancesco, Tony Monaco and Larry Goldings, as well as rock keyboardists such as Jon Lord, Brian Auger and Keith Emerson. Smith recorded Legacy with Joey DeFrancesco, and the two prepared to go on tour.
[9] However, before the tour began, Smith died on February 8, 2005 at his Scottsdale home where he was found by his manager, Robert Clayton. The Incredible Jimmy Smith at Club Baby Grand, Vol. Other albums from this period include Blue Bash! 2, The Incredible Jimmy Smith at Club Baby Grand, Vol. Smith had a career revival in the 1980s and 1990s, again recording for Blue Note and Verve, and for Elektra and Milestone. With an incredible technique, Smith combined blues and be-bop and forged a new sound on a daunting instrument. This edition of the album boasts four bonus tracks: 'Jamey', 'My Funny Valentine', 'I Can't Give You Anything But Love' and 'Slightly Monkish'. (the hit from the 1960s) with his protégé, Joey DeFrancesco, a then 28-year-old organist. He died of unspecified natural causes, said his stepson and former manager, Michael Ward, who also said that his age of 76 was based on his birth certificate and not the birth date found in most reference books.
He left school in the eighth grade, never to return, and joined the Navy at the age of 15. Jimmy Smith (1925–2005) was a jazz musician whose instrument was the Hammond B-3 … There was an error retrieving your Wish Lists. He revolutionized the instrument, showing it could be creatively used in a jazz context and popularized in the process. Smith’s impact and importance within jazz music is reflected in his success, as well as the recognition he’s received as the pioneer of electric organ usage.
Still, they're wonderful early Jimmy Smith trio sides, foundation stones of what would develop into a prestigious career in jazz.
Playing piano at night and practicing organ during the day, Mr. Smith studied a chart of the instrument's 25 foot pedals and claimed that he played fluent walking-bass lines with his feet within three months. Van Gelder outdid himself on this remastering job. He began exploring the Hammond organ in 1951. Van Gelder Studio, Englewood Cliffs, NJ, January 27, 1964. The drawbar setting most commonly associated with Smith is to pull out the first three drawbars on the "B" preset on the top manual of the organ, with added harmonic percussion on the 3rd harmonic. Born James Oscar Smith on 8th December 1925 in Norristown, Pennsylvania, USA. Last summer he recorded "Legacy," to be released next week on Concord, which paired him in duets with Mr. DeFrancesco.
bill at the Ornstein School of Music. Jimmy Smith: Jimmy Smith At The Organ, Volume 1 (Album) 17 versions : Blue Note: BLP 1551: US: 1957: Vendre cette version: 17 versions : BLP 1548: Jimmy Smith : A Date With Jimmy Smith, Vol. Jimmy Smith was an early Blue Note staple, almost always recording with a trio at first. Unable to add item to List. She died of cancer a few months later. Let us know what you think of the Last.fm website. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates.
Jimmy Smith, organ; Kenny Burrell, guitar; George Duvivier, bass; Grady Tate, drums; unidentified orchestra, Claus Ogerman, arranger, conductor. [4] His first album, Bashin', sold well and for the first time set Smith with a big band, led by Oliver Nelson. In 1999, Smith guested on two tracks of a live album, Incredible! The Incredible Jimmy Smith at Club Baby Grand. In the early 1950's he worked around Philadelphia, playing rhythm and blues with Don Gardner's Sonotones. Born James Oscar Smith in Norristown, Pennsylvania, United States,[4] at the age of six he joined his father doing a song-and-dance routine in clubs. Mr. Smith had lived in Phoenix since January 2004. 1, A New Sound, A New Star: Jimmy Smith At the Organ, Vol. Jimmy Smith ruled the Hammond organ in the ’50s and ’60s. James Oscar Smith (December 8, 1925 or 1928[1] – February 8, 2005)[2] was an American jazz musician whose albums often charted on Billboard magazine.
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