Burdened by a secret and chased halfway around the world, Agatha's life begins to resemble the dark stories she imagined. Awards and honors include Leah Ryan FEWW, Kilroys’ List 2015-2017, Southern Rep’s Ruby Prize Runner-up, Susan Glaspell Prize Finalist, a Susan Smith Blackburn nomination, Po’okela Award for best new play, and a NET Partnership Grant with Satori Group. It has been really empowering for theatrical sound design.
Susan: When I first started writing the play, it started off very light. Cydney believes an angel rescued her from an ineffable trauma, and the truth may prove stranger than she imagines. I can’t react to the physical things that actor is doing because that’s not honestly what would happen.
I think it’s exciting because that’s normally behind the scenes, so to come to the forefront, but also feel well integrated and support what’s going on and for people to experience that. Learn what the year has in store for you now! When she stumbles into a gig as an actor on a shock-jock radio dating show, she finds herself strangely determined to turn fantasy into reality. Even at Sundance, I didn’t have a couple of scenes that are now the climax of the play, and it didn’t really have the center and the core of the play wasn’t fully realized. Also, it’s a weird world to live in because we don’t live in the world on radio frequencies, but we do because we’re communicating. She is a two-time Sundance Institute’s Theater Lab Resident Playwright. Palmer is a very in-demand sound designer who had to give up other opportunities to be here with us for the whole time. There are 53 scenes and Jenny is in all of them. Jennifer: Especially with TV, the explosion of content with different styles, the different writers and producers and performers of different backgrounds, I think audiences are realizing that they can connect to nontraditional pieces in a way that maybe they weren’t before. Yeah, it gets a little scary. The workshop will culminate in two readings of the play, October 19 and 20, which are free and open to the public with a reservation. Susan: Sometimes I feel like it’s frustrating because I’m just like, “We all have imaginations,” but things are from some place, so they’re not completely wrong. She has worked as a writing consultant for Disney Theatrical Entertainment and Disney Creative Entertainment. I think the sound design world that we landed in attributes to the main character moving through and she’s on her solo voyager journey. Our set designer Dane Laffrey wanted to create a space that would be good for Palmer’s sound, but also how do you tell this story in this world where no one is ever connected, and how do you play with that? Paying attention. Just to remind people the world is more strange and beautiful and interesting that they might have thought about. I’m cool! Susan: I think there is something there of how we bring in new audiences. Bernadette Peters: Young and Cute, Forever and Never, Women to Watch 2017: Women Behind the Scenes, 7 Women of Theatre History You Should Know, Female Lighting Designers: Past, Present, and Future. When something is happening in the room with Jenny, it’s not on mic. Susan Soon He Stanton examines the human disconnect in an age of connectedness. This play is similarly theatrical, but in a very specifically challenging way. Also, just to have this long process of trying different things and figuring it out.
Susan: It’s very unusual for a sound designer not only to begin a process so early, but then stay with the show through the entire run. The New Play Exchange ® (NPX) is the world's largest digital library of scripts by living writers. Palmer: It is a huge shift. Experimenting with those things also has been a very interesting challenge in how to really make the story as fleshed out and complicated as it is.
The other thing that is really wonderful about the challenge of the piece, and the way that it has transitioned from being a purely oral experience into a staged theatrical one, is that it offers this exploration of public versus private in a way that is very challenging as an actor, because all of the scenes happen with two people in different spaces, and you behave differently when you’re alone. In 2011, the director of the International Monetary Fund was accused of sexual assault by a hotel maid, Nafissatou Diallo, but all charges were dismissed. The story is told through phone calls, voicemails, and live radio spots. I think the production felt like, “How do we get the essence of that, which we really enjoyed with the collaboration, into the production?” It ended up with me in a sound booth within the audience, but visible. In this mythic, hilarious, and poetic new play, a burnt feather may illuminate the possibility of a divine intervention. Stay abreast of discount offers for great theater, on Broadway or in select cities. I did a little EQ-ing on them then, but we didn’t have extreme technology, and all the sound effects that encompass the scenes and the ambient sound design. The title of Susan Soon He Stanton’s hilarious, intricate new comedy doesn’t refer to anything in the play itself. Inspired by a real-life disappearance, John Boy... is the story of a Hawaiian-Chinese fisherman plunges his family into a crisis when he returns home claiming to have given his youngest son to a woman the cannot prove exists. Betsy Wolfe is Absolutely Fine. On Adam Guettel, Silence, and the Fear of Nothingness, The Once and Future Leigh Silverman: a western. The NPX, a National New Play Network program, is flipping the script on the ways in which new work is shared and discovered.
When someone hangs up on her and she speaks, it’s just her voice in that acoustic room. That’s why it’s been so great to work with Palmer and work with our director Kip Fagan, because it was something where I was like, “Help. Page 73 Productions will present the world premiere of Susan Soon He Stanton’s Today Is My Birthday this fall with direction by Kip Fagan.The new comedy is set to begin performances … Enjoy live events at insider prices. Jennifer, when you got the script and the project, what was the first thing that drew you to it? Susan Soon He Stanton is a playwright, television writer, and screenwriter in New York, originally from the consonant-free town of Aiea, Hawai‘i. It’s a really difficult task, but she does it so beautifully. It’s a really an interesting, fun, experiment. Jenny is on stage the whole time, so we could take a conceptual approach where she’s miced, but never processed like a cellphone, so we hear her voice clearly like we’re in the room with her, a little elevated, and then everyone else has a distance-y sound and they sound like they’re coming from a cellphone. There are definitely still points right now in the process where a scene will end and I stand up and I’m like, “I have no idea what’s going to happen next.”. (Live Source), The Things Are Against Us (Washington Ensemble Theatre), Navigator (Honolulu Theatre for Youth), The Underneath (Kumu Kahua Theatre), Art of Preservation (The Flea, Kumu Kahua), and more. When the threat of a flood becomes imminent, they must decide what's worth saving. Happy birthday! Leah Nanako Winkler on God Said This, Kentucky, and More. Plays include we, the invisibles (Actors Theatre of Louisville Humana Festival), Today Is My Birthday … Alona, an elderly Serbian immigrant, is afraid an intruder has broken.
Two sisters, one claw-foot bathtub, and a young man trying to unearth the dark secrets of his grandfather’s past.
We were all collaborating and living together and having meals together. (Live … (Clubbed Thumb and East West Players), Cygnus (WP Theater Pipeline), Solstice Party! People are watching content on TV and watching films that they haven’t been exposed to and I think that that will naturally extend to what they’re interested in in the theatre. Films include Bushwick Beats, Dress (winner of 2014 Hawai‘i International Film Festival Audience Award), Dispatched, Good House, and Same Will. It’s very Jerry Springer and all of it’s fake, but we still create it and feel something when we listen to it. Similarly, I was like, “These things can be anywhere. It’s amazing to see this woman who has achieved so much in her life but feels so isolated because of some of the things she hasn’t achieved, like romance and having a child, and that people tell her, “You don’t understand my life because you don’t have those things.” She’s actually really smart and she can be her own entrepreneur. I never look at anybody except for two moments in the moment in the play that last for less than 30 seconds. Before rehearsal, we had a spacing workshop where we tried all these different things—physical phones, no phones, some people on mics—because everything was very open and there was a big question of like, there’s lots of good choices, but what is the best one or the best choice to get at what we’re trying to explore in this production? Susan Soon He Stanton, Palmer Hefferan, and Jennifer Ikeda on “Today Is My Birthday”, Carrie Coon, Liza Colón-Zayas, Danaya Esperanza, Susan Pourfar, and Brenda Wehle on “Mary Jane”. Jennifer: It’s been a challenge just because of the sheer number of scenes. Susan: I’m really interested in plays that have to be theatre, so I think my hope was that this would be something that would be dynamic and exciting and very, very theatrical. Her car was found in a chalk quarry and thousands of fans searched for the beloved author, as suspicion was cast on her adulterous husband, Archie Christie. Yuko is the Top Star of the Takarazuka, an all-female Japanese performance troupe, that has put on lavishly staged spectacles for decades. Susan Soon He Stanton Susan Soon He Stanton’s plays include Today Is My Birthday (Page 73), Takarazuka!!! Kate Hamill and Amanda Dehnert on adapting Jane Austen for the Stage, Bernadette Peters: Young and Cute, Forever and Never, Women to Watch 2017: Women Behind the Scenes, 7 Women of Theatre History You Should Know, Female Lighting Designers: Past, Present, and Future. Combining hula, chant, history and hard science this production explores ancient and modern stories of navigation. She received a Feature Film Development Grant and Screenwriting Award from the Sloan Foundation, and a Leviathan Lab Film Production Grant. Jennifer Ikeda and Ugo Chukwu in Susan Soon He Stanton's Today Is My Birthday, directed by Kip … Change ), You are commenting using your Google account. It’s challenging because that awareness that you need as a theatre performer of this space and the energy, the molecules in the air, has to be very selective. On Adam Guettel, Silence, and the Fear of Nothingness, The Once and Future Leigh Silverman: a western. Then, just because of the different structures of scenes, I’m like, “That doesn’t quite work,” because there are moments where we’re on her voicemail, so we’re in a world in between worlds. I think that if people just start listening a little bit more sharply at the end, that’s great. (Clubbed Thumb and East West Players), Cygnus (WP Theater Pipeline), Solstice Party! I did a workshop of this play with ACT and Mozilla and it was like, “Well, there are all these young people in their 20’s and all the tech world.
Then of course, you get an invitation to Sundance and you’re like, “Whoo, yes! There’s definitely a way of doing the play like that, but when we had our design meetings, we wanted Palmer to be seen, so now she has her special booth on stage. It’s also one that is frightening because I have to fail in so many of the scenes in order for the play to work. Change ), You are commenting using your Twitter account.
Emily is a would-be writer whose bubble life in NYC has popped. INTRACTABLE WOMAN - Play Company - Off Broadway - Wrt. You feel like a failure, and that effort to climb out of that through communicating when communicating can make it harder. The play is how we live so much right now. ( Log Out /
This play is unusual in terms of form.
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