wcbs fm song of the day

Note the diversity of the music which combined music that you might hear on AM along with select album tracks, not completely unlike what you might hear on CBS-FM today, but with more non-single album tracks: Bob Dylan, The Carpenters, Al Kooper, the Grateful Dead, Carol King, James Taylor, the Rolling Stones, Donovan, Carly Simon, the Beatles, Joe Cocker, the Doors, etc. WCBS FM's rich 35 year tradition and history is the foundation of the radio station whose broad listener base loves listening to the music they grew up with. AIRCHECK: Radio Greats Weekend: Alan Freed Tribute [scoped-stereo]. Thanks to Rob Frankel, we have this fine aircheck of Gus Gossert doing the CBS-FM pre-oldies thing, which was a combination of pop, light rock and some R&B. I am a big fan of the New York Mets. An article describing the original "The Young Sound" service, which was 180 hours a month of instrumental versions of rock songs. AIRCHECK: Rocky G, Bill Brown, Steve Clark (Restored & Scoped) (26:29). When WOR-FM promoted that it was going rock in June of 1966, I thought it was also going to be a soft rock instrumentals station because at the time, it was difficult to imagine real rock on a commercial FM station. We have a son Lee who is now 32 years old. This is a great scoped aircheck of John Zacherley sitting in on Halloween at CBS-FM in 2007. Listening to Radio Tapes on the Way to Work. Just two years later, on July 6, 2007, WCBS-FM, under the aegis of new CBS Radio CEO Dan Mason, announced a return to the former CBS-FM with a start date of July 12th. For more about Murray, check out the WINS, WOR-FM and General Radio History pages. Thus In the Still of the Night was the #2 song even though it is rarely played. It was geared for listeners who weren't into AM radio anymore, but weren't into the heavier sounds of the progressive stations either. Even Ingram calls 1960 the "year of the dog in music". At about 21:45 minutes of Part 2, Pat plays the long music montage he created at WPLJ.So as to preserve everyone's sanity, we cut out the long stop sets on this one. This is an aircheck from radio pro and historian, Rob Frankel. For Charlie , it has been an "inredible thrill to grow up in the Big Apple , to aspire to ne on the radio, and realize my dreams." And it was Tom Clay, not Tom Cloy. wcbsfm.cbslocal.com Win $1000 With The CBS-FM Song Of The Day 10th Floor December 13, 2019 for the announcement of the CBS-FM Song of the Day. (In 1957, Freed's ABC-TV show was cancelled after Frankie Lyman danced with a white girl and ABC affiliates in the south objected.) Commercial-Free CNBC, CNN, FOX News Radio & MSNBC, Commercial-Free Music For Every Mood & Activity. From the Beatles, Bee Gees and Beach Boys to The Rolling Stones, Simon & Garfunkel to Springsteen, and Aretha to Elton and Elvis , this is a classic hits station unlike any other! But it's also instructive: when the signal is bright and clean, it has far more impact and it's a far better listen. AIRCHECK: John Zacherley on Halloween [scoped]. Check out the spot for the lengendary Downstairs Records in part 1 and a spot for all the old CBS-FM jocks in part 2. Hear the audio that matters most to you. Whether you think Ingram's jokes were lame or very funny, there is no doubt that he adds a tremendous amount of personality and fun to the show. WCBS-FM - 101.1 WCBS FM, playing New York's Greatest Hits of the 60s, 70s & 80s! Here's a short aircheck from the end of Norm N. Night's last show on WCBS-FM. Formats were changing quickly, but by October of 1967, he was doing a one-hour show on Saturday nights called, "Some Trust In Chariots" with music producer Tom Wilson doing a show before him and Chuck Leonard and Dan Ingram each doing one hour shows after him. He also spent time as Program Director. Here's a great aircheck of a portion of Scott Muni's shift from the Radio Greats Reunion Weekend of June 1998. CBS-FM wasn't always a oldies station. Bruce Slutsky was born in New York City in 1949. WCBS FM's rich 35 year tradition and history is the foundation of the radio station whose broad listener base loves listening to the music they grew up with. If you wanted listeners to believe that CBS-FM was not part of a large corporation, this ad worked quite well. AIRCHECK: John Zacherley on Halloween [stereo-scoped] (89:38), Once again, Ken Tullipano strikes gold! The playlist was wider than most typical radio stations, but it was also far more current. AIRCHECK: Gus Gossert (Restored & Scoped) (32:51). This stereo aircheck from the CBS-FM progessive days, complete with formatics and jingles, features DJ Bobby "Wizard" Wayne. If CBS-FM was as creative as this every day, it would be a much better radio station. He pretty much ignores the playlist and he breaks formats and that makes it a fantastic show. Scott sounds like he's having a great time. In some cases, the same dates are posted twice due to conflicting information from different sources. Judging by the news, we think this aircheck is from either October 6th or 7th. Rob restored the aircheck using his production magic, but we had to scope it again so as not to violate copyright law and to make it easier to listen to. One of the tag lines for the format was "Playing What We Want". “New York has amazing energy in the wee hours,” he adds. Here's your WCBS-FM 101.1 - New York's Greatest Hits 1K "Free Fall Cash" Song of the Day info for Tuesday! We also have WNEW-FM's tribute to Murray on the WNEW-FM page (scroll down to February of 1982). And the ratings never matched what CBS-FM had achieved. It's hard to believe that this aircheck is from 40 years ago. (And scroll down to find where Zach does it again 20 years later and still sounds as great.). It didn't sound free-form, but it did sound low key. Note: Rob Frankel has since advised me that the Rosko show was a syndicated show produced from Rosko's then home in France. It's not a big wonder that the format didn't last all that long, but if it did, we never would have wound up with an oldies station. WCBS-FM (101.1 FM) is a radio station offering a classic hits format licensed to New York City and is owned and operated by Entercom.The station's studios are in the combined Entercom facility in the Hudson Square neighborhood in lower Manhattan, and its transmitter is located at the Empire State Building.The station is the home of the Scott Shannon in the Morning show. There's also a phone interview with his daughter Alana. Just two years later, on July 6, 2007, WCBS-FM, under the aegis of new CBS Radio CEO Dan Mason, announced a return to the former CBS-FM with a start date of July 12th. Note: The audio quality is inconsistent. From mid-1968 to early 1969, he did a weekday show called "Radio Free New York". Zach was 89 when this was recorded and it's amazing how strong and vibrant he sounds. CBS-FM liked horn bands, so they played a lot of Gary Puckett, Chicago and Blood, Sweat & Tears, similar to WOR-FM. Murray repeated this bit many times, even on free-form WOR-FM, but it demonstrates how much trouble he would go to just to make his show a little different. For many years the latter was always voted number one. The format change to live jocks actually took place October 20th. AIRCHECK: Pat St. John announces his retirement from WCBS-FM. One of the great things about these broadcasts is that they included jocks who had never appeared on CBS-FM and sometimes even included air personalities who competed with them. Condolences to my Sister Joyce and Her Family on t... Only a Northern Song - an underrated Beatles Album... Bob Dylan to Play in Chicago - October 29, 30, 31. Bob was born April 3, 1937 putting him at the center of early top-40 radio. Here's another example of one of their earliest promotions, which you'll have to admit is a bit freaky, but who exactly were they trying to appeal to? AIRCHECK: Radio Greats Weekend: Dan Ingram [stereo-scoped]. On June 3, 2005 WCBS-FM flipped from an Oldies format to JACK. These are a series of early promotions for WCBS-FM's Young Sound format. There's also a bit where Murray does a pulp fiction comic book intro to Ernie K Doe's "Mother In Law". Top 500 Oldies Playlist. Demonstrates once again why AM radio can't play music. Pat St. John, who's been on New York radio since the 1970s, has announced that he's leaving CBS-FM, where he's been holding down the Sunday 11-3pm airshift, in order to spend more time with his west-coast based family. Bob was a DJ on many NYC stations including WMGM, WINS, WABC-FM, WNEW-FM and WCBS-FM. AIRCHECK: Back from JACK Format Flip [scoped]. Many historians believe that he became the scapegoat for the scandal largely because he promoted R&B music more than other DJs of the time, even though politicians of the era hated rock music in general and tried to stop it. In reality, CBS-FM didn't quite return to an oldies format, but to a 'greatest hits' format and in the intervening years has stopped playing all 50's and most 60's music. Bob Lewis died on January 23, 1987 at the young age of 49. Please do not phone me Monday - Friday 7:00 - 7:30 PM. In the Still of the Night by the Five Satins was number 2. This is a great aircheck of John Zacherley returning to CBS-FM when it was still a true oldies station to play a bunch of crazy tracks for Halloween and it sounds great. To save money, CBS-FM wanted to cut Ingram back to one day a week from two (with a commensurate cut in salary) and Ingram refused. In the future, Charlie would like to continue doing what he loves, "entertaining New Yorkers in the radio, radio,... You’ve probably never met a radio DJ who likes working the all-night shift as much as Dave Stewart does. LISTEN LIVE At Work Or While You Surf. It was produced by the Berstein & Bernstein agency. This aircheck is of the flip back from JACK to Greatest Hits CBS-FM. Another psychedelic ad approach. Because CBS-FM was such a heritage station, the format didn't go over well in NYC. He came to PLJ in 1989, happily spending most of that time in the overnight slot. While, as usual, we had to scope the music, this aircheck also features some interesting jingles, news and spots. I am interested in rock and roll radio. By September of 1970, he was doing 5-9pm weekdays on CBS-FM when the station had an AOR format. He's known for being informative on the air and for playing that rare but great track that you didn't know existed. AIRCHECK: Bobby "the Wizard" Wayne [stereo-scoped] (48:48). It's a pretty good montage of CBS-FM over the years along with a lot of formatics and jingles. 24/7 For FREE On RADIO.COM. AIRCHECK: Pat St. John's Last Show WCBS-FM [scoped-stereo]. When FM radio split from AM radio simulcasting in 1966, Bob saw the potential of working in a freer creative environment and started doing the only weekday live show on WABC-FM in April of 1967. We all remember "Bob-a-Loo". New York NY 10014 JACK was a snarky format that was marketed as a more personalized approach with music chosen by a DJ named "Jack", rather than a corporation.

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